新葡萄京娱乐场

请以你的名字呼唤我,感受温馨实在的感受

五月 5th, 2019  |  新葡萄京娱乐场

看看那8.8的评分并不奇异,很少看那类电影的本身来看最终以至哭的稀里哗啦,“惨目忍睹的”。。。
看到老爹对他说的那两段话,内心无以名状。 “We rip out so much of
ourselves to be cured of things faster that we go bankrupt by the age of
30 and have less to offer each time we start with someone new. But to
make yourself feel nothing, so as not to feel anything. What a waste. ”
“Just remember, our hearts and our bodies are given to us only once and
before you know it, your heart’s worn out. And as for your body, there
comes a point where no one looks at it. Much less wants to come near it.
Right now, there’s sorrow, pain, don’t kill it. And with it, the joy you
felt.” 美好而精炼,满屏的天真烂漫和清澈。 提姆othée
Chalamet,nomination足以表达你的显现成多好,你给予电影的生命和意大利共和国阳光明媚的夏季同样灿烂。从手指到眼神,通通在线。Timothée
和Saoirse Una 罗恩an
无疑是那两年最值得期待的新百威量,她们纯净自然,真挚简单。希望他们并非被麻醉才好。
最终三个画面,对着火炉,不亮堂为啥让本人回忆了另一部电影“李米的估计”,一样的庄家的大特写,同样的无奈,分化的泪水。

初稿地址

果然是自己欣赏的澳洲文化艺术片。甜茶真的是演的太好了,贰个眼神,二个动作,1个超脱捣鬼的男子。还喜欢那种悠闲的光景。亚洲文化艺术片平时是这种调调,好想做三个亚洲人。

末尾老爸对埃利o说的话是整部电影的长处,会倒霉过,会痛,也别刻意阻止它,感受那几个感受,保护这几个感觉。摘了一部分阿爸的话,受益良多。When
you least expect it nature has cunning ways of finding our weakest spot.
We rip out so much of ourselves to be cured of things faster that we go
bankrupt by the age of 30. And has less to offer, each time we start
with someone new. But to make yourself feel nothing so as not to feel
anything. What a waste. How you live is your business. Just remember,
our hearts and our bodies are given to us only once and before you know
it your hearts worn out,.And as for your body, there comes a point when
no one looks at it , much less wants to come near it. Right now, there’s
sorrow,pain. Don’t kill it and with it, the joy you felt.

© 本文版权归笔者  towards sea
 全数,任何格局转发请联系作者。

Interview: Armie Hammer, Timothée Chalamet and Luca Guadagnino on What Made “Call Me By Your Name” Such a Special Film

新葡萄京娱乐场 1

Director Luca Guadagnino with Timothée Chalamet and Armie Hammer. Photo
courtesy of Sony Pictures Classics.

Many of you might remember the old and beloved film called “Love
Story” written by Erich Segal (also based on his novel) and gloriously
directed by Arthur Hiller. As a quick reminder – it is a tragic love
story about Jenny and Oliver who come from different backgrounds.
Their journey begins with high anticipation of a beautiful life ahead
of them but is cut short tragically.

There is a reason why I have reminded you of Hiller’s film before
writing about Luca Guadagnino’s “Call Me by Your Name”. There are
several parallels I can draw between these two films: both are based
on novels;  both have unforgettable soundtracks and splendid
storylines; flawless performance in both films shapes subtly the
relationship between two individuals. Once you watch Oliver and Elio
(portrayed by Armie Hammer and Timothée Chalamet) on the screen, I’m
sure you’ll wish that all love stories are told in the same
uncompromising way.

I did not mention anything about the gender of the characters on
purpose. This film is shot and narrated in such a way that it does not
matter at all. “Call Me By Your Name” talks about love and respect.
And I believe prejudices will always have a shorter life to live.
Every human being is entitled for a right  for love and to be loved.
Nobody can take it away – now or ever. Thanks to “Call Me By Your
Name” for capturing it in such a humble way.

During Toronto International Film Festival, I had a great pleasure to
attend a round table interview with Luca Guadagnino  – the director of
“Call Me By Your Name” and the actors Armie Hammer and Timothée
Chalamet. I had a chance to ask questions to give me a better idea
about behind-the-scenes of the most fantastic and magical film of the
year.

你们福建中国广播公司大人可能会记得埃里希西格尔(埃里克h

在那部电影里最震憾的除了四个男子的爱恋,还有最终老爹讲的这段话。

© 本文版权归小编  肉嘟嘟
 全数,任何方式转发请联系作者。

Segal)(也是依据他的随笔)所写的一部名称为“爱情传说”的老电影,并由Arthur·希勒光荣地执导。作为三个高速提示

那是1个关于Jenny和奥利弗来自不一样背景的悲剧爱情逸事。他们的旅程始于对她们前方美好生活的莫斯中国科学技术大学学期待,但不幸地被切断了。

有二个原因让自家在写关于LucaGuadagnino的“用你的名字呼叫我”在此之前提示您Hiller的录制。笔者得以在那两部电影中找到三种相似之处:都是依照小说; 都有令人难忘的配乐和琳琅满目的好玩的事剧情; 两部影视的抢眼表演奇妙地构建了四个人以内的涉嫌。壹旦您在荧屏上观望了奥利弗和埃利o(由Armie
哈默和提姆othéeChalamet所描写),小编相信您会愿意全部的爱情逸事都是同等不妥洽的法子被告知。

请以你的名字呼唤我,感受温馨实在的感受。自己从不关联任何关于故意使用剧中人物的性别。那部影片是以如此一种格局拍片和讲述的,它根本不首要。“通过你的名字打电话给笔者”商议爱和钟情。笔者深信不疑偏见总是会浓缩生活的寿命。每一个人都有权获得爱和被爱。未有人方可把它拿走

  • 前些天或过去。谢谢“通过你的名字呼叫小编”以这种卑微的方式捕捉它。

在多伦多国际电影节时期,小编万分春风得意地参预了与Luca Guadagnino–“Call Me By
Your Name”的制片人和表演者Armie
哈默和TimothéeChalamet的圆桌采访。笔者有机会提出难题,让自家更加好地精晓一年中最神奇和最美妙的录像幕后轶事。

新葡萄京娱乐场 2

Timothée Chalamet as Elio and Armie Hammer as Oliver. Courtesy of Sony
Pictures Classics.  

MOVIEMOVESME:  My first question is to you, Me. Guadagnino. Luca.
What has inspired you to adopt André Aciman’s novel into a film?

Luca Guadagnino: I think the reason of making this movie for me
was really and literally to making with the people I decided to make
it. And not because the book didn’t inspire me but my approach to the
book was the one from perspective of producer. And I was a producer
until I became a director, but I was a producer for many years. So I
never had this kind of tension to all the book, like I want to tell
this story. And then when thing collided together, and they said, do
you want to do this movie and I said yes if I can do it with Timothée
Chalamet and Arnie and Michel Stoolberg and the rest of the cast. So
it was about for me the possibility of being with them.

MOVIEMOVESME:作者的率先个难点是你,小编。Guadagnino。Luca。什么激情你将安德烈Ackerman的小说融入影视中?

Luca
Guadagnino:
本身感到为自己制作那部电影的缘故实在是和作者说了算营造的人打交道。并不是因为那本书未有启发笔者,而是笔者对那本书的视角是从生产者的角度来看。直到本人成为出品人此前,小编平素是出品人,但本人多年来直接是制作人。所以本身根本未有对那本书认为不安,就像自家想讲那几个有趣的事同样。然后当职业相互碰撞,他们说,你想不想拍这部影片,作者正是的,假若本人能够和TimothéeChalamet,Arnie和Michel
Stoolberg以及其它歌唱家同盟。所以小编想要和她俩在一同的恐怕性。

MOVIEMOVESME: And, Timothée, what kind of work you both needed to
do in order to maintain that great chemistry which turned into one of
the best and greatest love story?

Timothée Chalamet: Thank you. There was a massive amount of
vulnerability and openness and exposing yourself and emotions and all
of that. There was such a requisite amount of that that was needed to
make this movie work, that it honestly wouldn’t have worked if we
didn’t have the immense feeling of safety and protection on set with
each other, with Luca, with the crew with everybody around. There was
never anything happening that felt unsafe or felt like it violated our
trust of, I mean the entire process felt like we were not only in the
best hands that we could possibly be in, but that we were also taken
care of and protected in such a way that not only did we feel
comfortable in sort of opening ourselves up and exposing that, but I
mean, honestly we wanted to.

MOVIEMOVESME:Timothée,为了保持那种成为最棒最伟大的爱情旧事的硬汉化学品,你们都亟需做什么职业?

TimothéeChalamet:多谢。有雅量的脆弱性和开放性,揭发你协和护治疗激情,以及全体那么些。制作那部影片须求一定的不可或缺数量,假设大家从不相互的宏伟安全感和爱抚感,Luca与机组职员一齐坐班时,它实质上不会收效与周边的种种人。一直不曾生出过别的认为不安全或认为违反我们信任的事体,笔者的情趣是整整经过感到大家不光处于大家可能处于的极品状态,而且大家也倍受了招呼和保证那样一种方法,不唯有让大家感觉舒适,而且让我们敞快意扉,但本人的情致是,我们信誓旦旦地盼望。

MOVIEMOVESME: How did the shootings go? How was it to shoot a film
in Italy?

Timothée Chalamet: The opportunity to shoot in Italy, which on
another project would be the biggest reason to do something, but on
this was almost the smallest, because above that was the opportunity
to work with Luca and because I had seen “I Am Love“ before I even got
the chance to meet with him. And then after being attached to “A
Bigger Splash” came out during that period, the opportunity to work
with Armie Hammer, who people of my generation, the social network,
that’s a really formative film Autzman Swartz material that holds such
a special place in so many people’s hearts and James Ivory’s
screenplay and getting to work with all of these different facets. And
trusting Luca from films past incorporate just the coolest and most
innovative ideas in people.

It wasn’t a surprise, and yet it was an awesome surprise when he said
that Sufjan Stevens had made music for the film because Sufjan, again
for people my age – I guess people any age – he’s a brilliant,
brilliant musician. So to have his music for the film and have it
while I was shooting during the last scene, we had it playing while we
did it, it was challenging, and yet it all went very smoothly.

MOVIEMOVESME:枪杀是怎么发生的?怎么样在意国留影影片?

TimothéeChalamet:在意大利共和国留影的机遇是另八个品种的最黄石由,但在那上头差不离是小小的的,因为地点是与Luca同盟的火候,因为本人曾看过“小编很爱“在本身还未曾机会与他相会以前。然后在特别时代出现“越来越大的飞溅”后,与Armie
哈默一齐职业的空子,小编的这一代人,社交互联网,那是三个当真的成型电影Autzman
Swartz材质,在如此一个特殊的地方重重人的心和JamesIvory的脚本,并开首与全数这几个不相同的上边同盟。从过去的电影中相信Luca将最酷和最具新意的主见融入人们的视界中。

那并不令人意外,但当她说Sufjan
史蒂文斯为那部影片制作音乐时,那真是叁个惊人的悲喜,因为Sufjan对自己那一个年纪段的人来讲也是那般

  • 自己猜他们是别的年龄的人 –
    他是一个人民美术出版社好的,卓越的美术师。由此,当笔者在终极一幕中拍片时,为她的音乐塑造音乐,并在壁画时播放了它,大家在播音时播放了它的音乐,那十分具有挑战性,但任何都很顺畅。

MOVIEMOVESME: People often ask questions about filming the love
scenes. I wonder how it feels the moment when the director calls
“cut”? How the two of you reacted?

Armie Hammer:We’d keep going.

MOVIEMOVESME:人们时时会问关于拍录爱情场景的主题素材。我想知道发行人称之为“剪辑”的随时以为到什么?你们几人的反响怎样?

Armie Hammer: 大家一连。

MOVIEMOVESME: You’d keep going? I was thinking there’d be an answer
like that in there somewhere, but I can imagine it’s a complicated
thing. You must have a fairly loose relationship on set with somebody
that you have to pretend to have a deep relationship with.

Armie Hammer:There’s a lot of intimacy in this movie, but the
intimacy that seemed harder or more challenging wasn’t the physically
intimate stuff, it was the emotionally intimate stuff. It was being
face to face with someone on camera with a camera extremely close and
feeling like you are in a place where you can be vulnerable, and you
can … you know, it’s funny, if you’re making a movie and you have an
outside perspective of it, it probably looks completely ridiculous.
Everything that’s going on, people rushing around, people this and
that, people yelling out terms you have not idea what they’re saying,
what they actually mean.

This was an experience where I remember when we had intimate scenes
between us, whether they be in bed or wherever, the thing that really
was a big moment for me was we finished one of the takes and Luca
called cut and I remember looking around, because I wasn’t wearing any
clothes, and I remember looking around and sort of feeling exposed.
And I looked over at the sound guy and he was just holding the boom
like usual and then I looked over and the script supervisor had her
book like usual and the guy at the camera was doing everything like
usual and the focus boy was doing everything like usual and it hit me
this is doing our job. This is the same as that scene, that is the
same as that scene, let’s do it again. And then-Yeah. But more than
that it was like I’m so happy this is all part of this beautiful
experience that we’re doing. I remember at one point we finished
shooting a scene and someone was like do you want a robe and I was
like no, I’m okay. And they were like are you sure? Yeah, I’m okay.
You know you just … any fear, anything that was built up by it was all
in my head and as soon as we started it all went and away and just
became this beautiful, natural part of it.

Armie
Hammer:
 那部影片里有广大恩爱的,但仿佛更难或更具挑衅性的融合为一不是亲近的东西,它是心绪上接近的事物。那是与相机上的某部人面对面,相机非凡周围,认为就像你处于二个轻松受到损害的地方,而且你能够……你领会,那很有意思,如若你正在拍影片,而且你有贰个它的外表视角,它恐怕看起来完全错误。产生的漫天,人们奔忙,人们如此这样,人们大吼大叫你不知晓他们在说哪些,他们实际的意思。

We rip out so much of ourself to be cured of things faster, that we go
bankrupt by the age of 30, and has less to offer each time we start with
someone new. But to make yourself feel nothing, so as not to feel
anything, what a waste.

那是一段经历,作者记得大家中间有亲密的外场,无论他们是在床上照旧在此外地点,对本身的话确实关键的说话正是我们做到了里面一回比赛,而Luca称为切入,作者回忆到处张望,因为自身从未穿任何衣裳,笔者记得环顾四周,以为暴光。然后笔者望着10分声音的玩意,他只是像今后同等举起热潮,然后笔者看了壹眼,剧本主管像往常一样拿着她的书,镜头里的家伙像在此以前同样做着漫天专门的学问,核心男孩做的1切都像一般,它打自身,那是我们的干活。那和充裕场馆一样,正是拾一分地方,让大家再来一遍。然后

是的。但更重要的是,作者觉获得分外春风得意,那是咱们所做的光明体验的1有个别。小编回想有3遍我们拍完了一个场景,有人仿佛你想要一件长袍,而自身是还是不是,笔者没事。他们如同您规定?是的,作者有空。你驾驭您只是……任何恐怖,任何由它整合的事物都在自身脑海中,只要大家起先,壹切就消灭了,并改为这一个玄妙自然的一片段。

新葡萄京娱乐场 3

Armie Hammer as Oliver and Timothée Chalamet as Elio. Courtesy of Sony
Pictures Classics.  

MOVIEMOVESME: Mr. Guadagnino, could you tell a bit about your
collaboration with James Ivory? Did you approach him or how did the
collaboration started?

Luca Guadagnino: I’ve known James for many years and we’re friends
before being collaborators and it was a chance of life. Like he was
coming to see me in Crema many times and we both were involved into
this movie as producers and then one day because the movie wasn’t
happening without directors, we said why don’t we try to imagine the
way we would do it and it was like snapping peas at the kitchen table
that lead us to writing this great in really almost a moonlighting
fashion. It wasn’t a job it was the chance to be together in doing it.
I grew up really worshiping artists in my life. I come from a simple
family in Palermo, but I always dreamt of meeting the artists I adored
and I admired and one of the reasons why every time I complain with
something for myself about my life I have to be severe with myself and
tell my self you are luck because you have the chance and the luck to
have fulfilled your adolescent dreams of meeting the artists you love.
And even to dram making things together, so it’s great, it’s a
privilege.

MOVIEMOVESME:Guadagnino先生,你能或不能够介绍一下您与JamesIvory的通力同盟?你有未有周边她或合营是何许初始的?

Luca
Guadagnino:
本身认知James多年,在成为合营者以前大家是有相恋的人,这是二个生存的机会。就像是她在克雷玛多次看到本身同一,我们几人都是制片人的身份参预了那部电影,然后有1天,因为那部影片不是未曾监制的情事下产生的,大家说为啥大家不准备想象大家会如何是好它就像在厨房餐桌上掰豌豆,那导致我们的确大概是以1种月光的诀窍来写那篇文章。那不是壹份工作,而是有机遇在一起干活。作者成长的时候真的很崇拜美术师。作者来自巴勒莫二个回顾的家园,但本身总是期待见到作者敬佩的美术大师,小编很钦佩的案由之一,为何每一次自身为投机抱怨笔者的生存时,我不可能不对和谐以为严格,告诉本身要好你是辛亏的,因为您有机会,幸运地达成了你满意你所爱的歌唱家的年青梦想。以至为了共同努力,那很棒,这是1种特权。

新葡萄京娱乐场 ,MOVIEMOVESME: How important is the period to this story? Not just
to the acceptability of the relationship, but also in regards to the
society.

Luca Guadagnino: But I don’t think this is a movie in which we are
putting a light on acceptability or forbidden love. I think that any
movie lives in the eyes of who watch the movie and in their way of
watching the film, so I don’t want to censorship anyone perspective,
but from my perspective, this is not a movie about forbidden love at
all. First of all, I happen to be a person who enjoy the physical
company of a man in my personal life. And so there is nothing
forbidden about that to me and so it’s the most normal and accessible
and suiting thing I can happen to do in my intimacy. So it’s foreign
to me to love or to make love to a man it’s forbidden. And at the same
time, I don’t think that Elio and Oliver will live in the space in
which they are living, hiding. If they put themselves into an alley
instead of putting themselves in front of a large group of people
staring at them is because they save very much the moment of their
intimacy. So the idea of this film and I would say also the idea of
Asimov’s book doesn’t lie in the cannon of the forbidden love and the
constrictions of society.

MOVIEMOVESME:这些轶事的时期有多种要?不唯有是关系的可接受性,也涉及到社会。

卢卡 Guadagnino:但小编不以为那是一部大家正在关怀可接受性或取缔爱的影片。小编感到其他电影都在见到影视和见到影视的人眼中,所以我不想审查任何人的观点,但从自身的角度来看,那不是一部有关不准爱情的影片。首先,笔者碰巧是1个喜欢本身个人生活中娃他爸的实体集团的人。所以对本人来说未有别的禁止,所以那是本人接近接触时最广大,最便宜和最契合的事体。所以对于自个儿的话,爱或禁止三个爱人打炮是很目生的。同时,作者不认为埃利奥和奥利弗会住在他们所居住的上空里,躲藏起来。假诺她们把团结成为一条巷子,而不是把本身身处一堆望着他俩的人前边,那是因为他们丰硕节省他们亲切的时刻。所以那部影片的主见和小编也会说阿西莫夫的书的见地并不在于禁止恋爱的大炮和社会的牢笼。

MOVIEMOVESME: How did you choose the actors or how did you come on
board because the chemistry is so obvious…

Luca Guadagnino: Because I had great chemistry with them. I’m
ignorant enough to think that if I have great chemistry they will have
great chemistry between them. But I wasn’t jealous of their chemistry.

MOVIEMOVESME:你是怎么抉择影星的,也许您是怎么着进入的,因为化学进度相当明显……

Luca
Guadagnino
:因为本身对她们有很好的化学反应。笔者并未有丰盛的认知,借使自己有很好的化学反应,他们之间会有很好的赛璐珞反应。但自个儿并不嫉妒他们的赛璐珞反应。

新葡萄京娱乐场 4

Director Luca Guadagnino. Photo courtesy of Sony Pictures Classics.  

MOVIEMOVESME: I was wondering, people refer to it as the gay love
story movie. Do you wish people would take away that tag and see it as
a summer love story? I love that Luca said in the press conference –
it might be a bisexual movie perhaps. And is that important in the
time where in America the president is going backwards, especially in
these terms of gender identity, sexuality, so forth?

Luca Guadagnino: I think the president is a bitter person who is
thinking of his own business all the time and he doesn’t have the
poetic hope to see how beautiful is it to be unbiased and able to love
no matter what is your gender. So I think in this way, maybe this is a
political movie and it’s a sort of invitation not to be like this
president. Probably should put that in the bio.

How to live your life is your business. Our hearts and bodies are given
us only once, and before you know it, your heart’s worn out. And as for
your body, there comes a point where no one looks at it. Much less wants
to come near it. Right now, there’s sorrow, pain. Don’t kill it. And
with it, the joy you felt.

***MOVIEMOVESME:小编想精通,人们把它称为同性恋爱情轶事片。你是还是不是愿意人们拿走不行标签并将其就是夏天爱情传说?笔者很欣赏Luca在新闻发布会上说的

只怕那大概是一部双性恋电影。在美利坚联邦合众国管辖倒退的一时,那一点尤其重大,尤其是在性别认可,性等地点呢?***

Luca
Guadagnino:
自己感到总统是1个缠绵悱恻的人,他直接在设想本人的职业,他平昔不诗意的愿意见到,无论你的性别是什么样,他都以并重,能够爱的。所以笔者感觉,只怕那是一部政治电影,那是1种不该成为那位总统的邀请。大概应该把它身处生物中。

MOVIEMOVESME: To the actors, what is the biggest thing that you
learned from each other during the filming?

Armie Hammer: Stop me if you want to. Timmy has such a rich and
beautiful almost complicated inner life that is so vibrant and so full
and he’s able to keep it just under the surface in such a beautiful
way where … it almost feels like while some things he is aware of as
we all are, it’s almost like he’s just not aware of some things. And
that openness and honesty is really, it’s great. I feel like maybe
sometimes the tendency might be to try to guard yourself or protect
yourself or hide. And I think watching Tim live in the scenes and
watching it affect him, it was almost like an acting exercise.

Timothée Chalamet: Ah, man.

Armie Hammer:Just hope my breath was goo.

Timothée Chalamet:  Yeah. I said this before. I feel like what
I’ve learned with the great actors I’ve worked with, whether it’s
Armie Hammer or Steve Carell or Louis Rabe, those lessons are almost –
they’re hard to verbalize. It’s almost like subconscious or something.
You take on the habits of other actors or the way I saw Michael
Stuhlbarg take notes in this film, or the way I see Armie rehearse a
scene before we go to it, those things stay with you. For me as it
relates to Armie, the way he carries himself as a man, the way he
carries himself as a father, the way he carries himself as a husband,
it’s been such a crucial roadmap for me. The cliché of this business
is that those road maps aren’t really there and those that are there
are negative or devastating in some fashion. And I’m so lucky, you
know, I did a film in LA this past year. LA’s never been a place that
I feel very close to, but because Armie lives there, I felt like I was
welcomed in with open arms and was introduced to a number of friends
now that I wouldn’t have without him. And also, like I said, as a
husband, again not to put pressure, but there is such love in this
marriage between he and Elizabeth and there’s such love between Armie
and his daughter, Harper, it’s very inspiring for me. It gives me hope
for myself that love, being in love, marriage, these things don’t
necessarily have bad or tragic or sterile endings; that these things
can blossom beautifully the way it does in “Call Me By Your Name”.

Luca Guadagnino: I wanted to say something about Armie as a
collaborative director. You can go up. Armie is a great catalyst. He’s
like my partner in making sure the movie’s following a lead of
optimism and concentration and generosity, I think. Not to take
anything off of you my love, but it’s just that I found that
partnership in making the movie with Armie, apart from the rest of
which is him acting as Elio.

MOVIEMOVESME:对于歌手来讲,在水墨画进度中相互学到的最要紧的东西是什么样?

Armie
Hammer:
假如你想要阻止笔者。蒂米具备这么丰硕而美貌的纷纷内在生活,如此充满活力,充满活力,他可以以如此神奇的法门将它保持在外表之下……大概感到到她在开掘到有些事情的还要,因为我们都以,那大概就好像她只是未有意识到一些作业。那种开放和仗义是的确,那很好。小编认为偶尔,倾向大概是搜索枯肠爱慕自个儿或保卫安全本人或躲藏。小编以为看Tim活在气象中,望着它影响着他,那差不多就如演技同样。

TimothéeChalamet:啊,伙计。

Armie Hammer: 只希望自身的呼吸是咕。。

TimothéeChalamet:是的。笔者事先说过。作者备感就好像小编与自己搭档过的伟大明星学到的壹律,无论是Armie
Hammer照旧Steve Carell照旧Louis Rabe,那些课程都差不离 –
他们很难用语言表明。它差不离就像是潜意识或别的东西。你接受任何歌星的习贯,也许本人看到MichaelStuhlbarg在那部电影中著录的点子,或许本身看来Armie在进场前排练1个场合包车型大巴主意,那些东西就在您身边。对本人来讲,因为它事关到阿米,他把团结当做四个娃他爸的措施,他把本人当作阿爸的艺术,他把温馨作为老公的艺术,对自己来讲那是贰个格外关键的门道图。那项职业的武安落子是,那么些路径图并不是真的留存,那个在一些地点是负面包车型大巴或破坏性的。作者很幸运,你了然,我在过去一年在布鲁塞尔拍过一部影视。孟买从没是二个本身认为十三分周边的地点,可是因为阿米住在这里,小编感到到本人像张开双手受到迎接,现在一度被介绍给一些对象,未来本人不会未有她。还有,就像是自家说的那么,作为贰个相恋的人,再3遍不要施压,可是她和伊Lisa白之间的这种婚姻存在着那样的爱,阿米和他的幼女哈珀之间有那般的爱,那对本人来说十三分鼓舞人心。它给了小编愿意,爱情,恋爱,婚姻,这一个事物不必然有坏的或灾祸的或无菌的后果; 那几个东西可以像在“通过你的名字致电小编”中那么开花。作为二个先生,再度不要施压,可是她和伊Lisa白之间的那种婚姻存在着如此的爱,而且阿米和他的闺女哈珀之间有如此的爱,那对自己的话特别鼓舞人心。它给了自家盼望,爱情,恋爱,婚姻,那一个事物不确定有坏的或患难的或无菌的结果; 这一个东西得以像在“通过你的名字致电笔者”中那样开花。作为一个娃他妈,再一次不要施压,但是她和伊Lisa白之间的那种婚姻存在着那样的爱,而且阿米和他的幼女哈珀之间有那般的爱,那对本人的话13分鼓舞人心。它给了自己期待,爱情,恋爱,婚姻,这几个事物不自然有坏的或劫难的或无菌的结局; 那几个东西得以像在“通过你的名字致电作者”中那样开花。

Luca
Guadagnino
:小编想谈谈Armie作为同盟老董。你能够走了。Armie是多少个很棒的催化剂。笔者想,他就像是自家的合作伙伴一样,确定保障电影的无忧无虑和理会和慷慨。不要把自己的爱带走任杨建桥西,然而自个儿只是开采了与Armie同盟拍影片,除了这些之外正是她扮演埃利o。

MOVIEMOVESME:  So I wonder, as you were trying to learn about your
characters – Elio or Oliver – what do you think they found in each
other that they were so fond of? What made them fall in love with each
other?

Armie Hammer: Go ahead, Timmy.

Timothée Chalamet: I think it’s … I think it would be almost
indescribable. I don’t think it’s necessarily a shared activity or a
shared passion, not that those are the requisites of love, but
sometimes they are. I don’t think that’s necessarily the case here.
Correct me if anything I’m saying is not of vision, but I think it’s
almost more organic. It just flowers. One of my favorite part of Andre
Aciman’s book, and we did it in the film too, is that Elio’s reaction
to Oliver at first is that he’s actually a little put off and it’s
like who’s this guy who’s walking around saying later. And from that
place it lands in a romantic spot, but it doesn’t begin there. So,
again it would almost be difficult to say what it was that brought
them together.

MOVIEMOVESME:所以本人想明白,当你计划明白您的剧中人物 – 埃利o大概奥利弗时 –
你以为她们在对方发掘他们喜爱怎么着?是怎样让他俩竞相坠入爱河?

Armie Hammer:继续吧,Timmy。

TimothéeChalamet:作者觉着这是…小编觉着那大概是不可能形容的。小编以为那不一定是一路的移位或①块的激情,也不是那一个是爱的要求条件,但奇迹是如此。小编感到那不一定是那种景观。要是小编所说的其余东西都不具有远见卓识,请改进自身,但自己以为它大概更有机。它只是鲜花。AndreAciman的书中自身最欢快的有的之一,我们在影视中也是那般做的,埃利o对奥利弗的反应开端是因为她其实有点贻误,就就如这厮走到哪个地方说的那样。从10分地方它落在叁个癫狂的地点,但它并不从那边开始。因而,再度说出将它们集中在联合的剧情大致是不敢相信 无法相信的。

© 本文版权归作者  blairxiong
 全体,任何款式转发请联系小编。

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